Looking back at a not-so-good, neither-too-bad year, I
sat down listing the music that had hit me hard…at the right and the wrong
places.
Here are 12 most favourite tracks from Bollywood that
released this year (not exactly in the order of preference). Favourite in terms
of music, lyrics, picturisation, the maximum number of hits on You Tube, mobile
phone, “songs” folder on the D: drive or the general enthusiasm expressed when
they were being played on radios or parar club.
Generally these lists are either of 10s or 20s. However
‘12’ is strategically chosen for an obvious reason. Reason: Cheap publicity
stunts. :/
I am unusually attracted to songs which
portray the feelings of a woman, but are sung in a male voice. Having said
this, I instantly remember two songs where I wasn’t sufficiently moved by the
music or the lyrics, but the above factor had an impact very deep. (i) “Mera
jeevan kora kagaz” from Kora Kagaz (Jaya Bachchan –Kishore Kumar) and (ii) “Muchhe
jawa dinguli amay je pichhu daake” from Lukochuri (Anita Guha - Hemanta
Mukhopadhyay).
And, then there was “Aaoge jab tum
o sajna”… (Kareena Kapoor - Ustad Rashid Khan).
Such is this song. (Vidya Balan’s
emotions depicted through this song sung by Javed Bashir).
Vishal Dadlani and Shekhar Ravjiani, I
love you both. The music you produced made me high, low, happy and sad. So did
Bashir’s voice.
The bottom line: the guitar chords hit
me hard at the not-so-right chords of my heart.
The favourite lines: “Chali kos kos
mein akeli; mosey boojhi jaaye na paheli….birhaah bani mori saheli…..”
What kind of music was that?? And what
kind of lyrics? What was Akshay Kumar wearing?? (Isn’t Salman the only person
in Bollywood who’s allowed to wear such obnoxious pink/orange/green trousers?)
I am devoid of any answers to the
questions above. But, I am full of love for this song.
My 5 year old niece: “Mimi, my teacher
said me to colour these.”
Me: Said me? What kind of English is
that?
She (getting where she went wrong,
within a flip of a second): “Wrong English. Like, ‘Don’t angry me.’”
Me (to myself): Isn’t she only faaive?!
Me (to her): Don’t say that again and don’t
angry me.
Like her Mimi, the little girl is
obsessed about Rowdy Rathore and the ‘chinta ta chita chita’ hand movements.
And like her Mimi, she sings the flute part, ‘pyan pyan pya’ parts and all the
no-lyrics parts in the song with rapt attention.
The favourite lines: Chinta ta chita
chita chinta ta ta (for being the most meaningful).
PPS: There’s a Bengali version
of the same song from “Bikram Singha – Lion is back”. Lend an ear.
Me: JD, you know why I love this song?
JD: Hmm?
Me: The actor himself sings the song. This
gives a strange kick, na?
JD: Kono din to Kishore Kumar
sombondhye eshob bolte shunini! (Never heard these praises for Kishore
Kumar from you).
Me: …….
JD: Accept the fact that it’s his LOOKS.
Looks, body and then voice….
Me: (‘I-give-up’ smile)…
JD:
‘Sung by the actor himself!’ Mithyebaadi Draupadi! :/
********************
Yes, I mean, the boy is so dishy that
you can’t blame me. Undoubtedly, in the entire year, Ayushman is the only man I
fell for, who’s blessed with such amazing looks. And an amazing voice. (In
addition, the Yummyness he was paired with! Sigh.)
The favourite lines: “Baba hein? Pishi
ghhar pe hein? Nahi? To hum kya yahan bethhke LUDO khelenge?”
Shottyobadi Yudhisthir, I am in a
tsunami of good old memories. ;)
Sung by Neeraj Sreedhar and Kavita
Sethh, this song reminds me of drinking raw Vodka (Dev D style) on the streets
and beaches of Goa, falling in love with all the moments around, falling in
love with every possible sight and above all, falling in love with one’s own
self over and over again.
I also told JD that this should have
been our wedding song. Such honest lines, man!
Additionally, “Mein hoon hi nahi iss
duniya ki” is killer. So is “Tu hain jaisa, mujhko waisa dikhna….”.
Tu hain jaisa, mujhko waisa dikhna….
(mentally humming it).
I feel like dancing again, making
those “thumb meets index” hand movements. And drink raw Vodka.
The favourite lines: Haven’t I said
them already?
Amit Trivedi! What else can you expect
of him?
And Shalmali Kholgade! I want to lift
her voice and sing like her. The “khaare bhi meethe hai” tone mesmerises
me…for long.
The song is also wonderfully worded by
Kausar Munir (I don’t know who he is. I copied the name from You Tube). The
song is awfully romantic. I loved the sound of bullets in between the music. That
fits my idea of romance. Love in the time of chaos. Love in the times
when everything else is wrong, except LOVE itself.
The favourite lines: Zara zara phoolon
pe jhadne laga dil mera,
zara zara kaanton se lagne laga dil mera.
I used to dislike Sonakshi Sinha.
And then this song happened.
I have watched the movie thrice in the
theatres and watched this song three hundred thirty three times on You Tube.
The Aman Trikha-Shreya Ghoshal duo is
fantastic so is Prabhudeva’s chewing gum body-movements. But, the girl takes
the cake. What a happy soul she looked! Yellow shoes, yellow nailpaint, yellow
belt and the aika-dajeba nose pin. Not to miss her body language and her
almost-perfect steps to match the Indian Michael Jackson. I accept, had I been
a man, this girl would have given me wet dreams.
**************************************
On our umpteenth time of watching the
video, a particular gentleman’s observation: “If I had to run away with a girl,
she would be the one” (expecting me to start my hate speech for her).
Me:
Take me along.
O gawd! I actually have a same-sex
crush on her! : (
The favourite lines: I am in a messed
up state. Can’t remember.
Amitabh Bhattacharya! The man! He will
put your soul into a washing machine and turn on the quick-spin mode.
I found a number of versions of this
song on You Tube and similar sites. What
I love THE most, is the Hamsika Iyer-Arijit Singh version. The lyrics are clichéd,
common and mushy. There is nothing extraordinary in “humko hai rehna jannatein
bhulaake teri baahon mein panaah leke”. (Where else does one expect to find
solace?)
Yet. Yet, there is something
extraordinary about the song as a whole.
It too has sounds of bullets, chaos
and collision. And in the midst of all that is not-so-beautiful, emerges this
song. I got goose bumps for the first few times.
******************************
While standing on the footboard of a
very crowded bus (with stinking armpits all around) and holding you to keep you
from falling, has anyone ever whispered, “You can make heaven out of a crowded
bus. How can I not love you?”? If yes, you’ll agree: The most clichéd feelings
suddenly sound extraordinary by their manner of execution.
**************************
The picturisation reminds me of Suman
Chattopadhyay’s lines “Rastar kawle rickshawalar snan, tomar jonno likhchi
premer gaan…..”
Such is this song.
The favourite lines: “Ruthi hui
khwaaishon se thodi si sulah leke, aaya tu khamoshiyon mein baton ki jirah
leke, khoya tha samandaron mein tanah safina mera, sahilon pe aaya hein tu
jaane kis tarah leke..”
Pritam waved a magic wand and out came
the music of Barfi. I want to preserve this one as the best music of 2012 (as
an album). Hats and caps off, Pritam. This is unarguably your best till date.
About this song, I love the Rekha
Bharadwaj version which was not used in the movie. The Arijit Singh version
that was used was truly beautiful and had the same “picturised on a woman, sung
by a man” effect. Yet, once you have heard Rekha Bharadwaj sing phir le aya
dil, your mind would stop right there.
This song is strong. The sense of
incompleteness in the song throws thousand daggers at you making your heart
bleed.
The feeling of letting someone go at a
moment when that’s the LAST thing you want, is truly painful. Especially, when
you have a long “baki hein” list containing daabi si aans, daabi si aanch,
adhuri si baat, adhuri si yaad, ruki si raah, ruki si chaah and so on…. With
such a cruel “baki hein” list, this song manages to evoke the same
amount of tears “Mera kuchh saman” did.
The favourite lines: Karte hain hum
aaj qabool kya keeje, ho gayi thi jo humse bhool kya keeje, dil keh raha usey
mayassar kar bhi aao, wo jo dabi si aas baaki hai, wo jo dabi si aanch baaki
hain…
O god, just humming of the song makes
me sad. :(
And I am crying for unknown reasons.
This means it’s a sad song and a bad
song.
Shooooo! Shoo song! I don’t want to
hear it again.
God knows why I included it in my
precious list.
Ok final. I hate this song. And, I
shall never hear it again.
A friend sent me this song. I heard the song several
times. Several. And was looking for adjectives to describe it and failed each time,
until I remembered an old conversation.
“If I have to choose one adjective for you, you know
what it would be?”
Me: Awesome?
“Nah, that’s easy to come.”
Me: O. Difficult?
“Better, but still achievable.”
Me: Then?
“Scary and that’s scarce.”
**************************
Right, this song
is scary.
And, that’s scarce.
The favourite lines: None.
“Mujhhe gore log nahi, kale log pasand
hein…”
:D :D :D
Again, Amit Trivedi - Amitabh
Bhattacharya combination. It’s smart. It’s sexy and it’s sinful.
I love the song. I think Rani
Mukherjee was anyways PERFECT, but Sowmya Rao was the icing on the freshly
baked cake.
The favourite lines: Heart beatnum
dhol peetnum, Love lust double kasht bada dheetnum.
Body heatnum hot seatnum, Calling Fire Brigade bhi defeatnum.
NO. It’s like choosing between your
own children on the basis of who you love the most.
So, here’s the entire song.
Dreamum wakeupum critical conditionum,
Earthum wakeupum hilo dool sab shakeupum,
Face to faceum dharti putram,
Top to baeum kama sutram,
Thighsum thunderum downum underum,
Sizeum matterum thinkum wonderum,
Jumpingum ……pumpingum….
Throbbingum…thumpingum..
Wane runde mune naale….
Heart beatnum dhol peetnum,
Love lust double kasht bada dheetnum,
Body heatnum hot seatnum
Calling Fire brigade bhi defeatnum,
Same to sameum dil me utaram,
Top to baeum kama sutram,
Thighsum thunderum downum underum,
Sizeum matterum thinkum wonderum,
Jumpingum ……pumpingum….
Streelingum …..punglingam..
Wane runde mune naale….
This is my favourite song of the year.
The song is so beautiful, that I wish I could keep her in my pocket, take her
out whenever and talked to her.
Javed Akhtar. Ram Sampath. Sona Mahapatra.
Ravindra Upadhyay. My salute!
The favourite lines: Mann ab tak jo bujh naa paya, Tum woh peheli ho…Koi na jaane kya woh rahasya hein…Jiski saheli ho..
At times, when I feel no one
understands me, I think of him.
No one understands him either!
Himesh Reshamiya, you are my
anti-depressant of the year.
You’ve made me your slave.
*************************************
The man is like Bappi Lahiri. He never ceases to amaze.
Be his looks, his acting, his impeccable singing style or his music.
He lends his voice to this song along with Vineet Singh
and Aman Trikha and the result is a second Kolaveri D, in terms of madness.
Trivia: The lyrics have being penned down by Himesh himself.
There are certain songs which makes me wonder: “If I
was a man, I would have sung this one for a girl”.
This is such a song. It leaves me
intoxicated creating a Vitamin G effect all over the head.
The favourite lines: Teri ankhiyon ka waar jaise sher ka shikar, tera husn dhuyedaar jaise jaltaa cigar..
Phew! it's a long post! (And I still wished '12' was not the number).